Strymon Z12A-COMP Compadre Compressor/Boost Guitar Pedal
Your Dream Tone Starts Here.
Start your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analog compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.
Your Everything Upgrade.
From pickups, tubes, capacitors, to speaker cabinets—the aspects of a rig that can be upgraded or changed are nearly endless. Plug in Compadre and you may find you already have everything you need for the tone you’ve been seeking.
Bring out your amp’s character in ways you never thought possible. Compadre’s Class A JFET input circuit, studio quality analog compression, and musically voiced analog boost circuits all work together to make your amp sound like it was just modified by a world-class boutique amp designer.
Vintage Inspiration, Modern Execution.
The Compadre design project started with a study of some of the finest analog compressors ever created, inspiring and guiding our circuit design process. Utilizing a VCA in the compression circuits allowed us to carefully tune the exact response and dynamics we desired for each voicing.
For Studio mode, our goal was to achieve the musical and transparent sound found within our favorite studio rack units and the best vintage studio console bus compression. Careful tuning of our detection circuit granted us exacting control over decay, especially important for Squeeze mode. With ample sustain on tap, we paid special attention to creating a completely smooth decay, with no unwanted pumping artifacts.
- Two Pedals in One
- Parallel Compression
- VCA Volume Pedal
- JFET Input
- For Guitar and Bass
- MIDI Control
- Precise Level Control
Analog or Digital? We chose both.
From the Class A JFET input circuit, to the VCA-based compression, to the Clean Boost and the diode soft clipping Dirty Boost, every aspect of Compadre’s audio signal processing is fully analog, with premium quality components, design, and workmanship throughout. The audio signal is never converted to or from digital.
In Compadre, the digital aspect comes in the form of digital control and programmability. By converting digital control messages to analog control voltages, we can offer full MIDI control and recallable presets while preserving a completely analog signal path from end to end.
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